Since I quite liked Holly Black’s first Curse Workers installment, I went ahead and read the rest of the series. All the things I liked about the first volume continued to work on the next two, and if anything they got better. The magic and abilities are present in the world, but mostly in the way it shapes society and interactions, and are very rarely actually used.
The clear strength of the series are the relationships between its characters. A mother who means well but is dramatically inconsiderate, siblings who have their own motivations, and friends who have their own problems.
It’s very refreshing to not have simple Mary Sue / Marty Stu settings, or unnecessarily dramatized relationships. The protagonist’s friends will be unhappy if they’re not treated well, but nobody will cut off ties for a single slight of some kind. Everyone has their own motivations, and occasionally they’re unrelated, occasionally they coincide with those of others, and occasionally they’re in conflict, and the character will have to make value judgments, just like real life.
The pacing is generally good; the books aren’t the most action-packed thing out there, but they easily held my interest. The love interest plot is devilishly complicated and clever in its set-up, and as some other situations, the protagonist is faced with multiple choices, all seemingly less than ideal.
The first book is readable on its own, the next two do better as part of the full trifecta.
Four and a half out of five for the whole enchilada.
I’ve had a few false starts with books recently, where the book I started just doesn’t manage to keep my interest even to the point of wanting to finish it. It was therefore a welcome change to pick up Black’s White Cat and get promptly sucked into the story.
The setting is mild urban fantasy / alternative history. Magic exists, but very few people can do it, and the magic is hexes where witches (or curse workers) can shift someone’s emotions, dreams, etc.
I’m not sure whether this book falls under the umbrella of Young Adult literature, but I don’t think it matters; the characters, their relationships and problems are just as applicable to YA readers as to anyone else.
It’s those relationships and characters that make this book so great. Everything feels new and original and fantastic and not like just another fast food version of a literary adventure. Things are complicated, the way they can be in real life, everyone’s flawed, and there is not really black and white.
The pacing isn’t perfect: the story spends some time with us getting to know the protagonist and the demons haunting him, but once the plot kicks into gear it doesn’t let go and I finished the book in a single sitting.
This isn’t popcorn reading. There will be complicated emotions and bittersweetness, but it’s well worth it. This is the kind of book that makes me happy for having read it, and wanting me to recommend it heartily.
Holly Black is often mentioned in conjunction with Neil Gaiman, and as much as I hate to go that route, I think this novel clearly shows why.
Four and a half out of five.